Analysis of My Favourite Film's Title Sequence: Bethany Volante

My favourite film is 'Back to the Future' (Michael J. Fox, 1985).







Two gifs I made using some of my favourite shots from BTTF's title sequence.

I think that the title sequence is particularly effective here, in comparison to other films. In my opinion, there is more creativity and cleverness in the first four minutes of a feature film than there is in the entirety of many films altogether. The use of the newspaper articles pinned up on a board, the television and the 'plutonium theft' news story, the plutonium box that the skateboard hits, and other features are part of what makes it so unique. These all link together parts of the story before they are even actually covered in the film, and you don't actually know what it all means later. It hooks you in very effectively.

Another aspect of the opening credits which I found successful was the DIY machines that are displayed, like the clocks all linking up, and the dog food mechanism. They set the tone for what kind of thing the main characters do, and even what sort of film it is - involving science. Above all, their uniqueness and ingenuity are fascinating to watch.

Furthermore, I find the way it was filmed very successful. The camera slowly pans across one wall of the room, the mind of the audience following the location changes without confusion, and having enough time to process what they're seeing. Sometimes, credit scenes can go too fast, but this one is clearly shot and slowed to the right pace. However, it is still intriguing to watch, due to the fact that there is always something strange going on in every shot. In consequence, no shots, however slow, are mundane or tedious, and the audience are enjoying every second.


These are some of the main reasons why I think that Back to the Future's title sequence is overall successful. In general, the scene makes the audience immediately interested, and it makes them think from the very beginning, whether it be about the machines and their workings, or who the character walking in is, or the significantly linked parts of the room. Only some films manage the first feat, and even fewer manage the latter.